Blocks have NO seam allowance. You add it once before cutting. Adding it when tracing AND again when cutting = garment is 2–3 cm too large everywhere. Cannot be fixed at fitting.
Shoulder dart and waist dart both point to the bust point. You can merge, redirect, or split — but cannot remove them without losing fit.
Back darts are smaller and do not share an apex. You cannot combine them. Attempting this creates diagonal drag lines across the shoulder blade.
Always shorten dart stitching lines by 2 cm from the apex outward. Prevents the "torpedo point" — a peaked cone of fabric over the bust. Non-negotiable, every dart, every garment.
Back darts do not share an apex. Combining them creates diagonal drag lines across the shoulder blade that cannot be pressed out. Always cut two separate small darts.
Pin EXACTLY at the bust point when pivoting. 1 mm off at the pivot = 3–4 mm visible twist at the hemline. Use a pin-hole on your pattern paper, not a rough dot.
Test dart fit in calico before cutting denim. Sew up your bodice block in cheap cotton, check fit, adjust darts, then transfer to denim. Every professional does this.
One dart only = uneven fullness. Neck lies flat one side, bunches the other. Both darts must pivot to the same location without exception.
A cowl neck that hangs 2 cm higher on one side cannot be fixed without re-drafting. Use your set square at point 3 every single time. No exceptions.
On reversible fabrics the inner placket edge is visible from the reverse. Serge and press under before folding, or use bias binding (Hong Kong finish). Skipping this = fraying catastrophe after 3 washes.
Interface the placket strip before attaching. Un-interfaced denim plackets buckle around buttonholes. Use firm fusible cut to exactly the placket width.
After collapsing, measure the sleeve head curve and compare to your shirt armhole. Sleeve head should be 1–2 cm longer than armhole (easing ease). If equal or shorter — you've collapsed too much. The sleeve will buckle at the armhole on the body.
After collapsing and re-tracing, re-draw the grain line as a true vertical through the crown peak. The original grain line shifts during collapse — don't use the old line.
Looks square on paper, collapses inward on a body. The corners pull and the sides bow inward. Fix: add 2–3 mm outward curve on each "corner" side. Always test in calico first.
If your design has a collar, a lower back neck line causes the collar to stand away from the neck at CB. Keep the back neck close to the original block unless you have a specific design reason to lower it.
Collarless neck lines · Sleeveless arm holes · Button-fastened edges. When two or more exist on the same garment, incorporate them into a single combined facing to avoid bulk at the shoulder.
Overlap front and back arm hole facings at shoulder by exactly 0.5 cm: mark horizontal guide line, slash on vertical, overlap 0.5 cm. This reduction ensures the facing rolls inside and stays invisible from the right side. Miss this and it peeks out at the shoulder seam.
Bodice and dress blocks look similar. The dress block is longer between chest line and waist. Write the block name on your paper before cutting anything. Takes 3 seconds, prevents a complete re-draft.
Centre back panel: cut 1 on fold · Side back panel: cut pair · Side front panel: cut pair · Front panel: cut pair · Facing: cut pair. Five pieces total.
The bodice armhole is close-fitting by design. A shirt built on that armhole pulls at the shoulder seam with every arm movement. Lower it — 30 seconds on the pattern, prevents a completely unwearable garment.
Neck circumference on your block + 1 cm ease = collar length. Notch both collar and neckline at CF, CB, and both shoulder seams before attaching. Four notches, not two.
After lowering the armhole, re-measure it and compare to your shirt sleeve block. Sleeve head ease should still be 1–2 cm longer than armhole. If you've lowered the armhole significantly, re-trace the sleeve block too.